998 Royalty-Free Audio Tracks for "Sixth Tones"

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

430.54 Hz tone

451 Hz tone

880 Hz tone No creative content.

480 Hz tone

450 Hz tone

439 Hz tone

435 Hz tone

*Tridecimal neutral sixth (Thirteenth harmonic) on C = A13♭ (Ben Johnston's notation). 13:8 = 840.53 cents. Limit: 13-limit. MIDI pitch bend: 124,76

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

*Lesser 41-limit fifth tone on C = D♭. Just: 42:41 = 41.72 cents. Limit: 41-limit. MIDI pitch bend: 45,77

*Greater 61-limit eighth tone on C. Just: 61/60 = 28.62 cents. Limit: 61-limit. MIDI pitch bend: 20,73

*Lesser 61-limit eighth tone on C. Just: 62/61 = 27.70 cents. Limit: 61-limit. MIDI pitch bend: 1,73

*Greater 59-limit seventh tone on C = ?. Just: 59/58 = 29.59 cents. Limit: 59-limit. MIDI pitch bend: 60,73

*Greater 47-limit fifth tone on C = ?. Just: 47/46 = 37.23 cents. Limit: 47-limit. MIDI pitch bend: 117,75

*Lesser 47-limit eleventh tone on C. Just: 95/94 = 18.32 cents. Limit: 47-limit. MIDI pitch bend: 110,69

*Tridecimal third tone on C = D-. Just: 26:25 = 67.90 cents. Limit: 13-limit. MIDI pitch bend: 93,85 on PU

*Lesser 97-limit eleventh tone on C. Just: 98/97 = 17.76 cents. Limit: 97-limit. MIDI pitch bend: 87,69

*Tridecimal fifth tone on C = C♯. Just: 40 : 39 = 43.83 cents. Limit: 13-limit. MIDI pitch bend: 3,78

*Greater 97-limit eleventh tone on C. Just: 97/96 = 17.94 cents. Limit: 97-limit. MIDI pitch bend: 94,69

*Novendecimal fifth tone on C = C. Just: 39 : 38 = 44.97 cents. Limit: 19-limit. MIDI pitch bend: 50,78

*Greater 47-limit eleventh tone on C. Just: 94/93 = 18.52 cents. Limit: 47-limit. MIDI pitch bend: 118,69

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU

*Lesser 59-limit seventh tone on C = ?. Just: 60/59 = 29.10 cents. Limit: 59-limit. MIDI pitch bend: 39,73

*Fifth-tone/1 step in 30 equal temperament on C. Equal-tempered: 21/30:1 = 40 cents. MIDI pitch bend: 102,44 MIDI, created using Sibelius 5.

Elevator, the sixth floor.

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

*Difference between 19:16 (E♭) & 6:5 (E♭) on C = C. Just: 96 : 95 = 18.13 cents. Limit: 19-limit. MIDI pitch bend: 103,69

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

*Undecimal fifth tone on C = C↓#+ (Ben Johnston's notation). Just: 45/44 = 38.91 cents. Limit: 11-limit. MIDI pitch bend: 57,76

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

Last chord of Anger's Tintamarre (The Clangor of Bells) (1911).

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).